Lunar Eclipse

Bold, hypnotic, and utterly singular — Kim Johnson's Lunar Eclipse is a 16x48 mixed media powerhouse that commands any wall it inhabits. This tall, luminous panel pulses with layered acrylic, collaged textiles, stenciled symbols, and the unmistakable Johnson signature: a pair of wide, unblinking eyes — one deep amber, one cool blue — staring straight through you with the calm authority of someone who has already seen the unknown and walked toward it anyway. The face emerges from a storm of teal, gold, rust, and forest green, ringed by ancient-feeling script, sewn fabric borders, and ghostly deer moving through a night landscape below. This is not decoration. This is a relic. In a 16x48 vertical format, Lunar Eclipse is built for the collector who wants a work that occupies not just space but atmosphere. The narrow, elongated panel — an unusual and highly intentional format — draws the eye upward and inward simultaneously, the way a full moon pulls attention even when you weren't looking for it. The layered surface rewards close inspection: stitched textile edges, dripped paint, stamped and stenciled glyphs, collaged paper fragments, and built-up textural fields give the piece a depth that no reproduction can fully capture. Johnson's work is shown at PTG & AV Gallery in Las Vegas, has been featured by the Las Vegas Review-Journal, and sits in private collections across the valley and beyond. Lunar Eclipse is a statement acquisition — the kind of mixed media original that appreciates in cultural weight the longer it lives in a room.